Exhibitions CURRENT UPCOMING PAST
MK AL

ANARCHIC BODIES: Consent Not To Be A Single Being

30/05/2026 - 30/07/2026

 

Against the force of necessity that organizes the dominant social and political order, this exhibition proposes that we think (with) the body as anarchic – as a living, dynamic, and thinking materiality that cannot be reduced to a stable identity, function, or form. Rather than an individualized and privatized unity, the body here becomes a process: fragmented, ruptured, exposed to other bodies, technologies, and environments, in a constant state of becoming.

The newly created works by the artists explore precisely this field of instability. The body emerges as relation, as affect, as glitch, as line, as fold, as an open structure that refuses to close in on itself. Rather than representation, these works offer abstractions of corporeality. Not as a distancing from the body, but as its dispersal into multiple possibilities of (co)emergence.

Inspired by queer, feminist, and decolonial perspectives, the exhibition evokes lesser-known, half-forgotten, or even risky archives, figures, and forms of life, including: the wild, wilderness, and the disruption of desire in a post-natural, prosthetic, and anti-teleological world; various trans* bodies, dissidents of the sex-gender system, as well as deviant eroticisms; dildo countersexuality and embodied gender experiments; the extravagance and excess of the libidinal economy beyond modern sexual classification; the wilful and defiant bodies of disobedient children, girls, and lesbians; Black aberrations in racist America; and the beautiful experiments of free living and the everyday anarchy of ordinary Black girls and women as wayward lives beyond the anti-black world of white policing, liberalism, and respectability.

The exhibition approaches corporeality as something that does not have to be fully visible or legible. On the contrary, it insists on the right to opacity. In this sense, the queer perspective emerges not merely as a question of identity, but as a poetic and political force that dismantles the norms and classifications of gender, sexuality, and bodily coherence, opening space for the wild force of the flesh, for multiplicity and unpredictability. For beautiful improvisations and performative experiments, for reconfigurations of the sensible, and for a refusal of governance.

To think with anarchic bodies means to accept being incomplete. Not a single being, but dispersed within fugitive choreographies and eroticism, within zigzag lines that slip away from the linearity of this exhibition setting.

 

Curator: Slavcho Dimitrov

Participating Artists: Darko Aleksovski, Gjorgji Despodov, Klelija Zhivkovikj, Hristina Ivanoska, Jovan Josifovski, Aleksandra Petrushevska and Tereza Lazarev, Yane Calovski

*The exhibition is part of the 13th edition of Skopje Pride Weekend 2026 – Festival for Queer Art, Culture and Theory

Aleksandra Petrushevska (Concept and choreography), “Shades”, Dance and photo documentation of the performance premiere on May 30 2026; Performance: Tereza Lazarev and Aleksandra Petrushevska; Photographs: Sonja Stavrova; Makeup: Ivana Mojsovska Golovska

Gjorgji Despodov, “Rehearsal for a body.obj”, 2026, Relief, 65 × 30 cm, 3D-printed PLA with flocking, engraved acrylic.

(photo credit: Zharko Chulikj)

Hristina Ivanoska, “What Cannot Be Closed Within Itself”, 2026, Wall installation of three multi-layered drawings (70 × 50 cm each) and four smaller ones (29.7 × 21 cm each), created with paper cutout technique, as well as a mural executed in dry pigment (600 × 200 cm). 

(photo credit: Zharko Chulikj)

Yane Calovski, “two parallel lines drawn in the desert (of empathic dialectics)”, 2026, Installation (iron, steel, ink, paper, performative photo-drawing, other building materials)

(photo credit: Zharko Chulikj)

Darko Aleksovski, “Foldings, Orientations, From a Certain Point of View”, 2026, Spatial installation consisting of two parts: drawing-frieze, pastel on paper, 9×0.3m; series of felt objects, variable dimensions

(photo credit: Zharko Chulikj)

Jovan Josifovski, “Rage Management Department”, 2026, Durational performance/installation (object – equilateral triangle 2 meters, wood, textile)

(photo credit: Zharko Chulikj)

Klelija Zhivkovikj, “Me? Obsessed?”, 2026, Installation: wool, wet and dry felting, embroidery

(photo credit: Zharko Chulikj)

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